reflections on breaking – up, open, into, and through.

“pick a word like you pick a melon. examine its skin. its weight. its viscosity. its sound. its texture. its ability to be juice and meat.” – nayyirah waheed, salt

beginning at breaking.
Ẹniafẹ Isis Ẹniafẹ Isis

beginning at breaking.

there’s an uneasiness in the air. an in between of seasons changing. a prolonging of broken things breaking.

breaking in between is almost never easy and there is no “right” way through…

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for when we don’t…
Ẹniafẹ Isis Ẹniafẹ Isis

for when we don’t…

I love an ellipses. In the way I often use it, the ellipses is less about indicating an omission, and more about leaving room for words, or an experience, still in formation and transition. I also use ellipses as an invitation for us to write together; for us to feel and fill in the blankness of space…

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heart and pen. (mirrors and windows)
Ẹniafẹ Isis Ẹniafẹ Isis

heart and pen. (mirrors and windows)

As I move these words from a place where the heart and mind meet, and thought forms and flow from pen to page and then page, I am listening to the voices of Lucille Clifton and Sonia Sanchez vibrate out from the television…

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omo iya mi.
Ẹniafẹ Isis Ẹniafẹ Isis

omo iya mi.

There are moments in life captured through the lens of grief. Moments I wish I could shake the feeling of, not because I don’t want to remember, but because the memory still causes ripples. Ripples that make shock waves go through the body as if the moment is happening all over again.

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our function is to feel.
Ẹniafẹ Isis Ẹniafẹ Isis

our function is to feel.

When we first arrive to this world we are without verbal language. We communicate through expression and sound and we learn our environment through sensation.

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one day we’'ll know.
Ẹniafẹ Isis Ẹniafẹ Isis

one day we’'ll know.

one day we’ll know that earth and family isn’t an add on accessory but a part of life’s fabric and weaving, without it we fall apart, without it we are not whole…

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in the presence of ghosts.
Ẹniafẹ Isis Ẹniafẹ Isis

in the presence of ghosts.

how do i know a lie is a lie, and the truth is true? and what of it when the lie is coming from the voice inside?

or, at least, the inside voice outside gave me…

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unfamiliar.
Ẹniafẹ Isis Ẹniafẹ Isis

unfamiliar.

“Note to self: Write deeper. (also to self: don’t act like you don’t know what this means.)” I thought I knew what it meant but I didn’t know until just a few minutes before I began laying these words down on the page. I began laying the words down shortly after hearing a voice in between the folds of sleep and awake.

The voice said, “You have to name the feeling”.

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to the Women.
Ẹniafẹ Isis Ẹniafẹ Isis

to the Women.

I originally shared this piece/peace on March 8, 2024 also known as International Women’s Day, in the u.s., and also Judy’s (Mom/Iya) birthday. I come back to this piece often.

Today, “Mother’s Day” 2026, I am grappling with what words I share out into a world because this day carries so much weight – joy, and grief, celebration, and heartache…

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respite’s breast.
Ẹniafẹ Isis Ẹniafẹ Isis

respite’s breast.

This morning, a car drove down the block and I overheard the crooning voice of erykah badu, “I’ll call you back”, and my heart dropped down into my breath…

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i’m a feeler, and i cry (a lot).
Ẹniafẹ Isis Ẹniafẹ Isis

i’m a feeler, and i cry (a lot).

Feeling is a gift that I sometimes want to return. Lately I find myself cursing feeling, and then taking the curses back. My cursing is really because of the hideousness of all this “greatness”…

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beginning…again (i left substack).
Ẹniafẹ Isis Ẹniafẹ Isis

beginning…again (i left substack).

“I think that freedom ideally is being able to choose your responsibilities. Not, not having any responsibilities, but being able to choose which things you want to be responsible for.”

Toni Morrison

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emotional vacancy.
Ẹniafẹ Isis Ẹniafẹ Isis

emotional vacancy.

Words are sometimes like an empty page. Even as they bare themselves, openly, ready, willing for you to savor them, words ask for nothing from you but welcome all of you, all that you are willing and able to give, all that you are willing to allow and all that you are willing to take in.

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growing through.
Ẹniafẹ Isis Ẹniafẹ Isis

growing through.

If you battled, fought and grew this last year in ways you are still processing, still reconciling, still unraveling, still cannot put into words, and if the growth is still in progress (and lets be real, growth is always in progress) I hope these words meet you…

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watered body.
Ẹniafẹ Isis Ẹniafẹ Isis

watered body.

ultimately it is the water that invites me. these bodies that require me to find breath differently and keep breathing steadily.

i have welcomed, mostly stubbornly, these bodies. allowing them to carry me.

i sit at the feet of their waterbeds and say, “teach me." and i am gifted new language. […]

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day dreaming, and i’m thinking of you…
Ẹniafẹ Isis Ẹniafẹ Isis

day dreaming, and i’m thinking of you…

“In the forefront of our move toward change, there is only poetry to hint at possibility made real. Our poems formulate the implications of ourselves, what we feel within and dare make real…” Audre Lorde, Poetry Is Not A Luxury

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concerning love.
Ẹniafẹ Isis Ẹniafẹ Isis

concerning love.

I have always been deeply concerned with love. When I started writing more about love, I felt for some time that, in the way of subject matters, it was a frivolous pursuit. I understand now this feeling was more of a reflection of the way in which paradigms of love, and what we are taught about love, are narrow and finite.

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how do you say heal?
Ẹniafẹ Isis Ẹniafẹ Isis

how do you say heal?

I am fascinated by how words, which may have the same meaning, may also have a different affect. While one word might engage, charm or invite, another may alienate, dissuade, or deter. I believe that how we take in and feel a word/s is often based on a kind of history we have with them, how they have been used with us, for us, towards us or even against us.

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